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It is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde's artistic career so far. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play.
- Sales Rank: #465195 in Books
- Published on: 2009-07-17
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x .60" w x 5.40" l, .60 pounds
- Binding: Hardcover
- 154 pages
Review
the wittiest play in the English language Financial Times Comes as close to perfection as any comedy I can think of. Daily Telegraph
From the Publisher
This book is perfect for AP classes and is often selected for inclusion on the AP exam. The notes, reading pointers, and vocabulary in this addition will also help students at a lower reading level get the most out of these classics.
From the Inside Flap
This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence." Wilde's effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.
Includes an interview with director Michael Hackett, Professor of Theater in the School of Theater, Film and Television at UCLA.
An L.A. Theatre Works full-cast performance featuring:
James Marsters as Jack
Charles Busch as Lady Bracknell
Emily Bergl as Cecily
Neil Dickson as Lane and Merriman
Jill Gascoine as Miss Prism
Christopher Neame as Chasuble
Matthew Wolf as Algernon
Sarah Zimmerman as Gwendolen
Directed by Michael Hackett. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Bonus is editor's inclusion of the scenario for The Importance of Being Earnest
By alfredlordbleep
Excellent edition for Peter Raby's introductions to all the plays and Wilde's original scenario for The Importance of Being Earnest. Line numbers as well are a nice touch.
For literary criticism of The Importance of Being Earnest see Raby's own Companion to the play. If you're really in deep, go for Bloom's Modern Critical Interpretations series, for his selection of essays devoted to Earnest. Here is a distillation of Ian Gregor's conclusion:
...What distinguishes Shakespeare and Jonson from countless less successful dramatists, [is] the use of language. But whereas their language was a means to an end, and their end conforms fairly directly with Johnson's definition of the function of literature---"to enable readers to better enjoy life or to endure it," Wilde was concerned with the linguistic artifact itself with a kind of poetry which Auden has described as "a verbal earthly paradise, a timeless world of pure play...". To think of Wilde's art as merely "escapist" is to oversimplify the position. What he gives us is a completely realized idyll, offering itself as something irrevocably other than life, not a wish-fulfillment of life as it might be lived....The Importance of Being Earnest is the dramatic expression of a precise aesthetic ideology where art is seen as the supreme ordering and perfection of life....
53 of 57 people found the following review helpful.
Stay away from Dover Thrift Version
By B Wo
The Dover Thrift edition is a highly abridged version. There are entire scenes and characters missing. And the ending is abruptly cut short. Spend the extra money on finding an edition with complete Oscar Wilde text.
1 of 1 people found the following review helpful.
If humour comes in a spectrum and slapstick is at one end of that spectrum, then this is the other end.
By Brohovsky
It would be all too easy to dismiss this play as a light romantic comedy. Although it is about a series of near thwarted romances – the stuff of a million ‘chick-flicks’ and romantic comedies going back as far as the eye can see in drama – this is also something much, much more. It is also a delightfully amusing commentary on human sexual relations, the English class system and (much more importantly) a perfect mirror on the amusing excesses of human selfishness. In fact, some of the best lines in the play, and the funniest lines in the play, highlight our near infinite capacity to love ourselves. To quote only a few and without hardly looking:
“If you are not too long, I will wait for you all my life.”
“Oh! Not at all, Gwendolen. I am very fond of being looked at.”
“If I am occasionally overdressed, I make up for it by being always immensely over-educated.”
“I don’t play accurately – anyone can play accurately – but I play with wonderful expression.”
“You see, it (her diary) is simply a very young girl’s record of her thoughts and impressions, and consequently meant for publication.”
The other terribly interesting thing in this play is the role of family. Not only are the families quite dysfunctional, even when people know who their parents are, but the title character is about as confused about how he fits into the complex world of family relations as it is possible to make someone. The thing that makes the line about the handbag quite so funny is that this handbag is about the closest thing he has to family in the entire world. As Pascal once said, we laugh and cry about the same things.
Wilde is, it hardly needs to be said, the closest thing to a God we are likely to have visit us on this planet. There are, for example, even now, more than 100 years after his death, entire companies that produce desk calendars that would not be in business if not for the endless supply of quotes he provides for the foot of Monday the Ninth of February and so on.
If humour comes in a spectrum and slapstick is at one end of that spectrum, then this is the other end.
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